2010年8月25日 星期三

Dance Everywhere Part 2 – Two girls just love dance



As long as you REALLY like it, you will be very happy to work hard on it!

Ivy Huang, currently studies in the dance department of Chinese Culture University. Her mom brought her to learn Dance and Piano when she was a kid. She obviously found out she loved to dance much more than piano. She wanted to go dancing classes since stared learning.

However, after entering the dancing school, Ivy realized it’s totally different than before. Ivy met some teachers were extremely influential to her. When she was in high school, sometimes she was afraid to go classes because of her severe teachers. Sometimes she cried in classes because couldn’t make what teachers asked. But looking back that time, it’s full of gratitude.

Ivy loves modern dance the most. She likes dance with free and dynamic. She always gets lots of surprises from it. She also likes to try new dancing style, challenging herself from what she didn’t know. She isn’t scared about something she doesn’t know. That’s also a reason why she can be always happily immersed in dance.

Asked Ivy what she is the most proud of herself? She said, “The most proud of myself is that I’m a fatty with good flexibility!! Hahaha!!” It’s obviously to know how optimistic she is. In her dancing journey, many teachers asked her to lost weight to be slim. She is usually listed as waiting list in many auditions because of shape. But she still have selected eventually from her skill. It’s grateful she didn’t get too much hurt from it.

Almost ten years pasted by, Loving dance is still unchanged for Ivy. She always hopes have opportunities to go aboard studied. She wants to learn more and dance better. Now she is trying to see if is there any chances to test into Europe’s modern dance troupes, to make her dream come true. She said, “As long as you REALLY like it, you will be very happy to work hard on it.”








You are a part of art while doing on an art work.

Lai Lai studied in Department of drama and theatre in National Taiwan University. In her early childhood, Lai Lai’s mom rent some dancing and singing videos to her, and Lai Lai always jumped to here and there in front of TV for a long time. She asked her mom to bring her to ballet class when she was in kindergarten. Her mom insisted on waiting until her older. Finally, Lai Lai started her first ballet class when ten.

Lai Lai has a sensitive heart within cheerful personality and simple looking. Asked her why likes dance, she said, “Dance can make me concentrate and I like the feeling from concentrating. In that moment, there is a pure and joyful dancing world. Also it makes me far away to disturbances from reality. ” She feels that she is a pen but also a painting when dance; is drumsticks also a drum. Just like you are a part of art while doing on an art work.

New Jazz and Entertainment are Lai Lai favorite dancing styles. She likes the power and strength form Jazz; likes to play music by body from Entertainment. There are two teachers gave her great influences – WaWa and DinDin. They taught her how to enjoy in music and dance. Also affects the way Lai Lai listen to music in farther.

The most happiest thing for Lai Lai is feeling progress from improvisation exercise. One teacher told her, ”Imagine yourself as a performer. ” Lai Lai shared what she learned from dance, “If you dance with a song you are familiar, you would get better feeling and temple from this song. For me, I will try to figure out the attitude in this song and use my body to show lyrics, then add the temple in my dance. It’ really happy that I can dance while involving it and viewing it.”

Because of dance, Lai Lai can always have passion and desire in her life. She said that if one day she couldn’t dance anymore, she would lost the most intimate partners in her life.






Dance Everywhere 系列二 – 兩位單純愛舞的女孩



只要真的喜歡,就會很快樂!

聖芬,目前就讀文化大學舞蹈系,小時候母親讓她學習舞蹈與鋼琴,她明顯發現自己愛跳舞遠勝於鋼琴,那時候的她,天天都吵著要去舞蹈社學跳舞。

然而,進入科班之後,所需要的付出與辛苦,與小時候的感覺大不相同。聖芬遇上幾位對她極度嚴厲但卻影響深遠的老師,高中時候的她,也常因為老師的嚴厲讓她非常害怕去上課,在課堂常常因為做不到老師的要求而落淚,但現在回想起來,卻是滿懷的感謝。

天性樂觀的聖芬,最愛現代舞。她喜歡自由不拘束、變化多端的舞技,這些往往都可讓她獲得許多想像不到的驚喜。她也喜歡嘗試新舞風、新舞步、挑戰自己所不會的舞蹈,學習沒嘗試過的舞風。她總是敞開心胸去接受自己未知的領域,也因為她的不畏懼,她總是可以很快樂地沈浸在舞蹈的世界,心無旁鶩的開心,是多麼難能可貴。

問她最自豪的是什麼?她說:「最自豪的就是,我是一個靈活的胖子!大家都這麼說唷!哈哈哈哈!」聖芬的開朗是如此顯而易見。沒有纖細的身材、常被老師們要求瘦身的她,並沒有因此受到太多傷害。即使往往很容易在每次徵選中被列為備取,但由於舞藝擁有不凡的水準,最後仍都還是會被獲選。

就這樣,晃眼十多年過去,喜歡舞蹈的心仍舊沒有改變。一直希望有機會出國學舞進修的她,希望可以學得更多、跳得更好,目前正在努力看看有沒有機會去考歐洲的現代舞團,圓自己多年來的夢。她說:「只要妳是真的喜歡,就會很快樂!」






成就藝術的同時,自己也是作品的一部分!

就讀台大戲劇系的賴賴,孩提時期母親會租一些動唱錄影帶給她看,而她就這樣對著電視跳了好大半時間也不會累。上幼稚園賴賴向母親吵著要去學芭蕾,而舞親堅持要等她長大一點,骨骼發育好一些後再開始學習。到了國小三年級,賴賴終於實現她的芭蕾願望,開始了她的第一堂舞蹈課!

個性開朗、外表純樸的賴賴,有顆纖細的內心。問她為何喜歡跳舞,賴賴說:「跳舞可以讓我很專注,我喜歡專注的感覺。專注的那一刻、那幾個小時,除了本身是在一個很純淨快樂的舞蹈世界外,也可以讓我暫時與令人煩惱的現實世界脫離。」她覺得,跳舞時的自己,是畫筆,也是畫作;是鼓棒,也是鼓聲。成就藝術的同時,自己也是作品的一部分!

New JazzEntertainment是賴賴最喜歡的舞蹈類型。她喜歡爵士所展現出來的姿態和力道,從軀幹到四肢末梢都充滿張力的感覺;而Entertainment則使她有一種用身體玩音樂的感覺。Wawa和叮叮(Dance flow的團員)兩位老師給予賴賴的影響最深。對於賴賴來說,這兩位老師是她的街舞啟蒙老師,並且讓她懂得如何享受在音樂、舞蹈中,也影響了賴賴日後聽音樂的方式。

在即興練習(表演式舞蹈)中感覺自己進步是令賴賴覺得最開心的事。一位她的老師曾跟她說:「想像你自己是個表演者。」賴賴分享了她在舞蹈上的心得:「在音樂下的那一刻,若是熟悉的歌就比較好掌握這首歌的意境和節奏,我就會盡力去揣摩這首歌的態度並用形體去傳達歌詞內容,然後放大編曲者設計的節奏,讓自己的舞蹈豐富。當我可以在舞蹈中觀審自己的呈現同時又投入其中的時候,是最開心的了!」

因為舞蹈,賴賴可以一直擁有著熱情,以及嚮往。她說,如果有一天不能跳舞了,就會很像失去了生命中最親密的夥伴。





2010年8月18日 星期三

相信你正在做的事情,那事情就會繼續前進而有所進展 – 專訪音樂家Faisal Zedan



You also can read this article here by English Version: http://i-raqs.blogspot.com/2010/08/believe-in-what-you-are-doing-faisal.html 


Q. 你比較喜歡在單純的音樂會上演奏,還是與舞者一同演奏?可以跟我們分享一下原因嗎?
我兩者都很喜歡。這兩種表演模式各有其美妙之處。在古典音樂會上,我需要著重在樂曲以及音樂家們的演奏上,有時候也會有歌手參與演出。對於一場生動且有活力的音樂會來說,在加入適當地裝飾到曲子中,且仍保持強而有力且穩定的拍子,這是很重要的。

而至於與舞者的演出,我則需要專注且跟隨著舞者的動作,將節奏賦予生命力。在肚皮舞表演中,我會使用更響亮的音色來表現,例如說「SUK」這個音色。這是於古典音樂相當不同的表現,在古典音樂會中,音量是需要極度被控制的,尤其是使用所謂「SUK」的音色。有些時候,我們會在古典音樂會與肚皮舞表演上使用相同的樂曲,不過在這兩種情況下,方法則是全然不同的。在肚皮舞表演上演奏時,我必須一邊演奏,一邊專注在舞者的一舉一動。



Q. 你最喜愛的樂器是什麼?可以分享一下原因嗎?
Qanoun (又為「Qanun」、「Kunan」,中譯「齊特琴」,一種類似古箏的撥弦樂器,為阿拉伯的傳統樂器之一)。我認為Qanoun「齊特琴」是所有樂器中具有最豐富的節奏及音域。如果我沒有打鼓的話,我會選擇學習Qanoun「齊特琴」以代之,這真是個可創造無窮變化的樂器阿!



Q. 你最喜歡哪種音樂風格?
古典音樂與節奏樂曲。



Q. 請問你有曾經想要放棄走音樂這條路嗎?如果有的話,那是什麼讓你堅持下去的呢?
15年前,那時的我發展到某個階段,如同你我般,有時候會感到失意,然後開始思考自己是不是應該要放棄這條路。不過,爾後當我的靈感泉湧而來時,我開始打開心胸,去接受不同音樂類型的洗禮,尤其在一次紐約的活動後,我變得更加確定我要朝音樂之路繼續前進,且不斷提昇自我。直到現在,每一年的我仍舊在學習新的事物。我想,學習如何不在遇到瓶頸時失望沮喪,也是人生必經、且必學的一部份。如果你相信你正在做的事情,那事情就會繼續前進而有所進展。

現在的我完全不想放棄。這音樂是如此鼓舞人心,使我們感覺更美好。這似乎已經變成像是我的使命,來教育人們,並使他們可以感受到生命中許多的美好事物。當然,這音樂也是代表著我們阿拉伯民族的文化與生活,這也幫助了我們抹除一些對於阿拉伯人民與文化的刻板印象。同時,對我個人來說,音樂給予我強大的力量,影響著我的生活,使其更美好且繼續往前邁進。



Q. 你的靈感來源多半從哪來?哪些人、事、物啟發你最多?
鼓手前輩們都是我的靈感來源,對於音樂的複雜性與深度促使著我繼續學習著。同時,阿拉伯風格的音樂、鼓的打擊,與其他中東音樂、鼓的打擊有著緊密的關係。



Q. 如我們所知,身為一位音樂家常常需要到世界各地表演。你如何在工作與家庭間取得適當地平衡呢?
這事實上的確有些困難。對我來說,我很幸運的是找到一位可以理解我的伴侶,且她能與我一起欣賞音樂藝術,她十分支持我的音樂生涯。



Q. 你的下一步計劃是什麼?
我希望可以建立一所學校,並透過此來教授關於鼓的一切。我希望可以到世界各地去進行表演,唯有此,我才會覺得我對我所信仰的音樂與愛音樂的朋友們,盡到我的職責。







關於 Faisal Zedan
Faisal Zedan出生於1972 年的敘利亞,15歲的他,與一位當地的鼓手鑽研後,開始了他的學習之旅廣泛的學習阿拉伯古典音樂與當代音樂。經過了多年的努力不懈,以及神的恩典,Faisal Zedan精通阿拉伯鼓(Derbakki)、鈴鼓(Riqq)、以及阿拉伯手鼓(Tar)

1992年,Faisal Zedan到了加州,他遇見了UCLA的教授,接著被邀請加入UCLA著名的近東樂團。1986年,Faisal Zedan任教於在北加州的中東音樂營,從那時起,他就開始常被邀請與國際藝術家與音樂家們共同演出。











延伸閱讀:

關於「齊特琴」--Qanoun (Qanun / Kanun)樂器的介紹與影片參考:




您同時可在Facebook找到I Love Raqs的粉絲頁:http://www.facebook.com/pages/I-RAQS/136312526382477




Believe in what you are doing - Faisal Zedan’s inspiring musical journey.


您同時也可從此連結閱讀此篇文章的中文版: http://i-raqs.blogspot.com/2010/08/faisal-zedan.html



Q. Which one you like more, perform in a music concert or with dancers? Why?
Both. I enjoy equally playing concerts and dance performance. Each one has its own beauty and approach. In the classical concert, I have my focus on the composition and the musicians playing it, plus the singer if there was singing involved. The dynamic in a classical concert is focused on keeping a strong and steady beat with embellishments that are appropriate for the music.

For the dance performance; I focus on keeping the beat alive and follow along with the dancer to high light her movements. I use more strength and loud sounds (SUK) in the belly dance performance. Unlike the classical performance, the loudness would be very controlled especially using the loud SUK sound. Some times, we play the same piece of music for classical performance and for belly dance performance. In both cases, the approach is different. In the belly dance performance, I have to keep the dancer in mind when I am playing. I have to watch over her and follow her.



Q. Which is your favorite instrument? Why?
Qanoun (string instrument). I feel the rhythmic and melodic aspect in this instrument more then any other. If I did not play drums, I would've learned Qanoun instead. It is a very versatile instrument on all levels.



Q. Which music style is your favorite?
Classical compositions and rhythmic compositions.



Q. Have you ever want to give up in this musician journey? What made you keep going then?
15 years ago or so, I was in a stage of development. Some times it comes natural to get frustrated and start to think of stopping or quitting. But when the inspiration came and I became more exposed to different genres of music, also the New York events, I became more determined to continue and develop my self and here I am now still developing and learning new things every year. I guess it is part of the learning process to learn how not to get frustrated even if things seemed stagnant and you are not making any progress. And if you believe in what you are doing, things will keep moving and progress happens.

Now I don't want to give up. This music is inspiring and it makes people feel better. It became for me like a mission to educate people and make them feel better about a lot of things in life. This music is our representative to show our culture and our life as Arabic people and it helps us to erase some of the negative stereotypes about Arabic people and culture. Also I feel the power of this music and its impact on me personally to make my life better and keep me going in life.



Q. What is your source of inspiration? Which person/ event/ thing inspired you the most?
Older generation of drummers are my inspiration, the complexity of the music and the depth of it also inspires me to keep learning it. Also the close connection between Arabic style of music/ drumming and other Middle Eastern styles of music/ drumming.



Q. As we known, being a musician needs to travel a lot. How do you balance between family and work?
It can be a little hard. I am blessed with an understanding spouse who really appreciates music all together, and she is very supportive of my music career. 



Q. What's your next plan in your life?
I would like to be more established as a drum teacher and have a school to teach through it. I would like to perform all over the world with a feeling that I am doing my duty toward the music and people.






About Faisal Zedan

Born 1972 in Oum D’Baib, Syria, Faisal Zedan grew up impassioned with the derbakki. At the age of 15, after intensive study with a local drummer, Faisal embarked on a journey of learning through exposure to a wide repertoire of Arabic classical and contemporary music. Years of tireless practice, along with God’s grace, has resulted in the mastery of the derbakki, as well as the riqq and tar (frame drum).

Upon arrival in California in 1992, he met UCLA’s noted professor of ethnomusicology, Dr. Ali Jihad Racy, and was then invited to join the acclaimed UCLA Near East Music Ensemble.

In 1993, Faisal was a founding member of the Near East music group, Kan Zaman. Specializing in the classical singing genre of Muwashahat and Adwar, Kan Zaman performed at Arabic cultural centers, city-sponsored events, and private shows along the West Coast of the United States.

Along with Donovan Lerman, Faisal is also a founding member of the Los Angeles-based Yourn It Talaata percussion group, performing at festivals, cultural events and with lacal Middle Eastern dancers in Southern California.

In 1996, Faisal taught at the Northern California Middle East Music Camp held in Mendocino. Since then, he has performed and studied annually with International artists and musicians at that event. Faisal also conducts workshops at the Kosmos Camp annually.

2009 saw the birth of Ajyal. Under the direction of Faisal Zedan, Ajyal features prominent loval musicians, Nazir Latouf, Husain Resan, Susu Pampanin and Laurie Eisler. The group preserves and performs diverse genres of traditional music and dance from the Arab world.

Currently, Faisal is also a member of Eliyahu & Qadim, Stellamara, Kan Zaman and Zikrayat.





Extended Reading:
Recommended video about Faisal: http://www.youtube.com/watch?v=qwHMeD6zlJw

About Qanoun (Qanun / Kanun) instrument:





You also can find I Raqs on Facebook: http://www.facebook.com/pages/I-RAQS/136312526382477

2010年8月12日 星期四

肚皮舞者即將有一套全方位的訓練與認證計劃 – 來自Karim Nagi



對肚皮舞者而言,一個全方位的訓練與認證計劃就要誕生。一個專業的舞者,不僅是專注在舞蹈技巧,更應該瞭解其歷史與文化。而這個艱鉅的任務,在Karim Nagi – 一位致力推廣阿拉伯音樂與文化的藝術家 - 的策劃下,將於今年度九月,在香港首次展開。

以下是關於Karim Nagi的認證介紹,亞洲的舞者們將很幸運地可以參與本次的盛事。

目的:
這個認證訓課程將著重在舞蹈、音樂與文化。此設立是為了讓舞者能夠在表演上能有更進一步的表現,並提昇文化素養。舞者將可學習到辨識東方舞蹈(即俗稱的肚皮舞)音樂的能力與方法、廣泛的阿拉伯民俗舞蹈、即興的方法、以及許多鉅細靡遺的文化背景故事。此計劃的目標在於給予舞者更完善的教育,使舞者們能夠擁有足夠的文化與學術水平,以及更廣大的深度和準確度。


背景:
這是由埃及當地的音樂家及舞蹈家--Karim Nagi所策劃,使用的是英文系統與格式。Karim Nagi擁有超過25年的表演經驗,他曾在新英格蘭音樂學院任職,並且在哈佛、普林斯頓及耶魯大學舉辦過講座與工作坊。Karim Nagi跨遍四大洲教授音樂與舞蹈,這也使得他能以系統地編纂這項藝術並使其標準化,這是史無前例的一套教材,至目前為止,任何大學皆無法找到的一門系統課程。


課程:
Karim Nagi的認證系統將分為四大部份:
1. 節奏與音階:創作旋律、節奏與歌曲的阿拉伯音樂系統。
2. 阿拉伯民俗舞蹈:來自阿拉伯世界裡的鄉村與地區的傳統舞蹈。
3. 人類學:包含阿拉伯區域的歷史、風俗、習慣與曲目作品。
4. 表演:鼓舞與旋律的即興技巧,曲目、與舞碼。


系統:
當完成了一期四部份的訓練課程,學生在每個部份都會有一個等級,等級「一」象徵著該名學生完成了四大部份的全部課程。 (例如:一堂節奏與音階課、一堂阿拉伯民俗舞蹈課、一堂人類學課、一堂表演課) 學生們可以藉由再次進修全部的四部份課程來繼續累進等級。每次當學生完成課程後,他們將會與Karim Nagi進行一個15-20分鐘的個人考試,Karim將會評估這位學生是否可得到新的等級認證。對於等級的高度並沒有限制,且對於完成等級也沒有一定的限時期限。


所以,這個九月在香港將要舉辦的等級一認證課程行程如下:
- 第一類) 節奏與音階 09/10  7:30-9:30pm
- 第二類) 阿拉伯民俗舞蹈 – Saidi (竹棍) –  09/12  2:30-4:30pm
- 第三類) 東方舞蹈歷史  09/12  6:00-8:00pm
- 第四類) 旋律的即興技巧 09/13   7:30-9:30pm


想要瞭解更多資訊,或有任何問題,皆可參考Klub Raks網站:http://www.klubraks.com




[News] A special certificate program is conducted by Karim Nagi


This is a whole new certification for dancers. The special certificate program in this world is conducted by a unique artist, Karim Nagi. And it will come out in Hong Kong this September. Dancers do not only know how to dance, but also need to understand history and culture about what they dance.

Here is the introduction about Karim Nagi Certificate Program. Lucky Asian dancers will have an opportunity to try this whole new meaningful program.


Purpose:
This program focuses on the cross-section between dance, music and culture. It was created to give the dancer an advanced perspective on performance and cultural literacy. The dancer will gain quantifiable skills in identifying musical themes and methods that influence Raqs Sharqi, a broader grasp of Arab Folkloric dance, Improvisational approaches, and detailed Cultural background. The goal is to give the dancer an education that allows her to communicate a cultural dance on an academic level, with greater depth and accuracy.


Background:
This program is conducted by Karim Nagi, a native Egyptian musician and dancer, with an English language based system and format. His performance experience exceeds 25 years. He was a faculty member at the New England Conservatory, and has presented lectures and conducted workshops in Harvard, Princeton and Yale universities. He has taught dance and music in 4 continents and has learned to codify and standardize an art form that previously had no universal system nor curriculum.


Curriculum:
The study for the Nagi Certificate system is divided into four tracks:
1) Rhythm & Maqam : the Arabic musical system of creating melody, rhythm, and songs.
2) Arab Folk Dance :  the dances of the Arab world from villages and regional communities.
3) Anthropology : the history, customs, behavior, and repertoire of Arab communities.
4) Performance :  improvisational skills for drum solo and taqsim, repertoire and choreography.


System:
By completing a course of 4 classes, one in each of the tracks above, the student is awarded a Rank. Rank "1" symbolizes a completion in a full course of 4 tracks (i.e. one class in Rhythm or Maqam, one Folk Dance Class, one Anthropology class, and one performance class). A student can continue to accumulate Ranks by taking more full courses of 4 tracks over time. Every time a student completes a course, they will be offered a 15-20 minute personal exam with Karim Nagi, at which he awards the Rank, or new Rank level, at the satisfactory completion of the exam. There is no limit to the height of Ranks a student can be awarded, nor is there a time limit for completing a Rank.



So, this Sept. in HK will be offer four tracks course for Rank 1. They will be:
- Track 1) Arabic Music – Sept.10  7:30-9:30pm
- Track 2) Saidi Dance – Spet.12  2:30-4:30pm
- Track 3) Oriental Dance History – Spet.12  6:00-8:00pm
- Track 4) Taqsim and Improvisation – Spet.13   7:30-9:30pm


More information you can also find it on Klub Raks website: http://www.klubraks.com






2010年8月3日 星期二

2010年下半年度 亞洲肚皮舞盛事預告 (8/11更新)


在這邊整理了今年812月份亞洲將會舉辦的肚皮舞活動與大師營,如果有遺漏的地方,歡迎大家提供寶貴資訊,筆者會持續更新這邊的整理資訊。




08/07

活動:  BDD 七週年慶
日期81 · 2:00pm - 5:00pm
地點:  Raffles Town Club, 新加坡.
連結:  http://www.facebook.com/event.php?eid=142978855721371
摘要:
BDD 七週年慶祝活動,將有以下舞者進行演出:Fatima Serin, Yuki, Jamila, "Orientales" PDC Graduates, BDD Instructors and selected troupe.







08/07-08

活動:  Petite Jamilla Moria共度一個肚皮舞週末 大師營
日期:  87 10:00am -  88 5:00pm
地點:  菲律賓
連結: http://www.facebook.com/event.php?eid=122781231092739
摘要:
第一天  87,上課地點:Dance Vision Dance Studio, Madison Square, Pioneer St., Pasig City
如何訓練身體來成就更棒的肚皮舞  by Petite Jamilla
融合的基本原則之一 by Moria

第二天  88,上課地點: Steps Dance Studio, Chino Roces Ave., Makati City
融合的基本原則之二 by Moria
轉圈技巧與雙紗 by Petite Jamilla





08/08-09

活動:  Fatima Serin 大師營
日期:  88 3:00pm - 89 5:00pm
地點:  新加坡
連結:  http://www.facebook.com/event.php?eid=140274972654904
摘要:
08/08 () 3.00pm - 6.00pm
古典埃及肚皮舞 技巧與舞碼 (建議已學習肚皮舞九個月以上的學生參加)
08/09 () 2.00pm - 5.00pm
鼓舞 舞碼 (建議已學習肚皮舞九個月以上的學生參加)
關於Fatima的介紹可參考以下網址:www.fatimaserin.de & www.youtube.com/fatimaserin.






08/11-15

活動:  Serkan Tutar 大師營
日期:  811 7:30pm – 815 4:00pm
地點:  香港
連結:  http://www.facebook.com/event.php?eid=108820055836647
摘要:
8/13 () 1:00am-4:00pm "土耳其風格肚皮舞"
8/14 () 11:00am-1:00pm "東方流行舞" /   2:30pm-4:30pm "紗巾"
8/15 () 10:00am-12:00pm "瘋狂鼓舞" / 1:00pm-4:00pm "土耳其吉普賽舞"







08/27-09/05

活動:  Sahira大師營
日期:  827 ~ 95
地點:  台灣 / 台北及台南
連結:  http://tw.myblog.yahoo.com/tribal-sky/article?mid=4777&prev=-1&next=4769
摘要:
台北 8 / 27 ~8 /29 / TFBD 師資證照班 Level1
上課時間: 8/27~29 (五、六、日)三天,每天10:00~15:00
報名資格: 參加TFBD師資證照嚴格要求須有學習過肚皮舞,並且有教學經驗一年以上才可。
上課地點: 台北市仁愛路四段4812B1

台北大師營  8/30~9/3 週一至週五
A14:30~15:30 (~) 部落風Urban Gupay ATS進階 ( 適合已經當老師)
B19:30~20:30 (~) Sahira 個人風格中東肚皮舞(適合任何基礎)
C20:40~21:40 (~) 部落風Urban Gupay ATS (適合任何基礎)
上課地點:台北極緻舞蹈會館 / 仁愛路四段4812b1

台南大師營  9/4 () , 9/5 ()
A14:30~15:30 (六、日) 部落風Urban Gupay ATS進階 ( 適合已經當老師)
B16:30~17:30 (六、日) 中東肚皮舞 鼓舞舞碼(適合任何基礎)
C17:40~18:40 (六、日) 部落混合風Urban Gupay style (適合任何基礎)
上課地點:台南 (地點請再注意主辦單位公告)

報名電話: 0925912208/0921177684 / 02-27033465 (睌上18:00)
ATM轉帳:700代號 / 00212110774471 帳號
轉帳完畢請來信告知:1.姓名,電話,報名班別   2.轉帳後六碼
聯絡Emailbk.sky@msa.hinet.net







09/05
活動:  Belynda Azhaar 一日大師營
日期:  95 · 12:00pm - 5:00pm
地點:  台灣 / 台北
摘要:
12:00-14:00 (2小時) "一起Shimmy吧!" 技巧教授
不論你跳得是哪種風格的肚皮舞,漂亮的Shimmy都是一場精彩表演的必要條件。這堂課將會帶領你的Shimmy到另一個新的水平,Belynda將會逐步分析並將Shimmy套用到許多組合之中,包括3/4 ShimmyShimmy將會與流動的動作一同形成組合帶給大家。
建議初中級至高級舞者參加,同時適用於部落風格與中東肚皮舞風格。
費用:1,500

14:30-17:00 (2.5小時) 現代埃及東方肚皮舞 - 舞碼教授
這是Belynda Azhaar在埃及開羅所學習到的風格 現代埃及東方肚皮舞,緩慢且流暢的舞姿,搭配有力的拍點舞動著,這將是一首令你耳目一新的曲目。
建議中級至高級的中東肚皮舞風格舞者參加,
費用:2,000

上課地點:中國文化大學推廣教育部 (106台灣台北市大安區建國南路二段231)
欲報名者請與Belynda Azhaar聯絡:Belynda Azhaar azhaar@azhaardance.com










09/09-14

活動:  Karim Nagi大師營
日期:  99 914
地點:  香港
連結:  http://www.facebook.com/event.php?eid=135623719804708
摘要:

本次將會有全球首次發表的---阿拉伯音樂與舞蹈認證課程,由Karim Nagi獨家創辦。
並有一連串對於舞者與鼓手的全方面訓練教育課程。
1) 阿拉伯音樂 – 09/10  7:30-9:30pm
2) Saidi 舞蹈 – 09/12  2:30-4:30pm
3) 東方舞蹈歷史 – 09/12  6:00-8:00pm
4) 瞭解旋律與如何即興 – 09/13   7:30-9:30pm
並有阿拉伯手鼓大師營 (不列入認證課程內) – 09/14  7:30-9:30pm





09/18-20

活動:  2010東京國際肚皮舞比賽 星光之夜及大師營
日期:  918 – 20
地點:  日本,東京
連結:  http://www.tibc-deseos.com/
摘要:
Sept.18-19 星光之夜表演
Sept.20 TIBC 大師營如下:
9:00 - 12:00  Karim Nagi – 舞者必須知道的節奏 (將使用指鈸)
9:45 - 12:45  Leila of Cairo – 現代埃及風技巧與即興
13:00 - 16:00  Elizabeth Strong – 土耳其羅馬融合風
13:45 - 16:45  Karim Nagi – 運用旋律即興與鼓舞
17:00 - 20:00  Leila of Cairo – 現代埃及風肚皮舞舞碼
17:45 - 20:45  Elizabth Strong – 讓雙腳自由







09/22-10/22

活動:  Tamalyn Dallal亞洲行 - 上海站
日期:  922 – 1022
地點:  中國,上海
連結:  http://www.tamalyndallal.net/upcomingevents.html
摘要:
長達一個月的大師營,每週30個小時的密集訓練。
聯絡信箱: estelleshao@gmail.com
更多資訊將會陸續公佈!






10/09

活動:  2010馬來西亞部落風肚皮舞藝術節
日期:  109 4-7
地點:  馬來西亞
摘要:
馬來西亞第一屆部落肚皮舞藝術節,終於要來臨了!
將會有許多不同風格的肚皮舞表演,ATS、部落融合風、歌德風肚皮舞、民俗舞蹈、佛朗明哥等等。
肚皮舞藝術節將在109日的四點到七點舉行,將有30位老師與100位表演者將會舉及一堂。現場也會有各種舞蹈相關的商品市集喔!










10/29-31
活動:  Serkan Tutar大師營
日期:  1029- 31
地點:  香港
摘要:
() 29th / 1-4pm  Pop Balady Premier  / 8-10pm  Turkish Gypsy Style (Agir Roman)
() 30th / 3-6pm  Crazy Drum Solo  /  7-9pm  Turkish Gypsy Choreo. (Fast happy style)
() 31st / 2-4pm  Veil Tech. and Combinations  /  5-8pm  Turkish Style Belly Dance
*海外舞者參與另有優惠!









11/26-28

活動:  Tamalyn Dallal亞洲行 大阪站
日期:  1126 - 28
地點:  東京,大阪
連結:  http://www.tamalyndallal.net/upcomingevents.html
摘要:
1126 - 28日將有大師營與表演,更多資訊將會陸續公佈!






12/08-13

活動:  肚皮舞進化論呈獻「不朽的渴望」
日期:  128 – 13
地點:  台灣
連結: http://www.bellydanceevolution.com/site/schedule
摘要:
     將有大師營與表演,更多資訊將會陸續公佈!