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2010年7月26日 星期一

用身體解釋音符的Sahira


You also can read this article here by English Version:http://i-raqs.blogspot.com/2010/07/translating-music-by-her-movements.html 



1. 怎樣開始接觸舞蹈的?

我在大約十年前開始學舞。那時在休士頓一家當地的藝術酒吧欣賞了肚皮舞表演,漫妙的舞姿與亮眼的舞衣使得看完表演的我決定要開始學舞,即使在那之前的我,是從未學過舞蹈的!




2. 喜歡舞蹈的原因?擦出火花的原因?

一開始的時候,舞蹈對我來說像是一種避免讓生活陷入平淡常規的方式。我之前從事環境工程師的工作,而學習舞蹈則像是開啟我另一邊的大腦。同時這也是一個很好的訓練,當我開始加強鍛鍊的同時,我在短時間內也減重不少,當然,這會使我更加的想要跳舞,而且越跳越多!
而現在對我來說,跳舞就像是必需品,我不能沒有它。除了肚皮舞,我也曾學習過一些其他風格的舞蹈:西非、波斯灣、騷莎以及現代舞。當我沒有在表演或教學的時候,你可能會在騷莎的舞池裡看到我開心的跳著!我曾經有段時間沒有機會規律的跳舞,那使我快要發瘋了!




3. 舞蹈進修的路上,哪段歷程最刻苦銘心?哪段時光最開心?哪段時光對你的意義最大?(可以選擇自己代表性的陳述即可)

這是一個很棒、但很艱難的問題!這幾年來我有很多很美好的回憶,而以下這些事是令我在第一時間想起來的。

我第一次在現場音樂演奏下獨舞的時候,我那時學舞還沒有很久。那時,我的老師被邀請到一間道地的希臘餐廳去表演,但臨時我的老師那天無法到場,所以她決定讓我去。我當時超級緊張,那時候的我表演經驗還非常的少,更別說是跟現場演奏的樂團一起了!而且我根本不知道他們會演奏什麼歌曲!我記得當時我向我的好友們求救,請他們到現場來捧個場,我希望能有支持我的觀眾在台下為我加油打氣。直到現在,我仍舊可以清楚憶起當天的情景,以及當晚樂團所演奏的樂曲。在經過幾次深呼吸後,我走到了舞台上,音樂帶領著我舞動。台下大家歡呼、給予我掌聲……我像是上癮般似的!從那時起,我就再也沒有停止過表演了!

我幾乎每個星期都有極度快樂的工作時光,好像有種魔力似的,將我搖醒去站在一群陌生人前,放著他們喜愛的歌曲,為他們的活動、婚禮、生日慶祝而舞著。讓新娘、或是母親、或是祖父願意離開他們的椅子跟著我一起跳舞,大大的笑容掛在他們的臉上……我知道我將帶來一個神奇的時刻到他們的活動裡。這是無價的!更何況我是可以因此得到報酬的!有時候這真的是太美好到很難相信是真的。

我有兩段非常鼓舞人心的階段,第一個是在休士頓第一次欣賞到部落風肚皮舞的表演,那是在2001Fat Chance的大師營上,我以前從未看過這樣的表演!我知道我想要學習如何做到,但我詢問了關於部落的課程後,每個人都跟我說,沒有人在教這種風格。不久後,我被解僱了工程師的工作,心想這也許恰好是個很棒的時機嘗試將跳舞當作全職!我將東西全都放進倉庫,開著車前往亞利桑那州,接下來的三個月,每個星期有五個晚上是跟著Domba學習,我的身體與心靈被我新學習到的一切纏繞著,我很興奮可以遇到這一群出眾的女子。我回到了休士頓不久後,即成為一位舞蹈家,並成立我的部落風舞團都市吉普賽 (Urban Gypsy)

事實上「此刻的現在」對我來說也是一個非常具有啟發的時期,一年多前,我在舞蹈上達到一種瓶頸,我決定要將自己提升到另一個水平,於是我開始上一些現代舞的課程 (至於被現代舞所啟發是因為看了「所以你以為你可以跳舞 (So you think you can dance)」的節目),我喜歡現代舞所擁有了強而有力且優美的特質,這是個很艱澀的挑戰,是因為它需要嚴格的訓練與技巧。於是,另一個新項目誕生了,現在我正在做一個獨一無二的融合風格,結合的現在舞、埃及與部落肚皮舞,這使我非常的興奮!而我將會在八月到台灣舉行大師營,並且也教一些這樣風格的舞蹈!





4. 舞蹈改變你最多的是什麼?

我一直是個表演者。我從三歲的時候就開始參加歌唱與模特兒的全國比賽,這也是為什麼我一直覺得在舞台上感受到非常舒服,成為一個非常有自信的女人的原因吧!當然,肚皮舞肯定會帶給許多女人對於他們身體與內在更多的自信,我真的很開心地看見我班上學生們的轉變!但對我來說,改變是在於情感層面的。舞蹈讓我接觸到另一個層面的自己,這是我在工程師生涯中不常察覺的。一個真正的舞蹈,必需要將他們個人情感上的歷程融入在表演裡,這對十年前的我是件非常困難的事情。經過了這些年,更多的人生經驗以及深層的瞭解音樂,我也深信,中東舞蹈的文化使我成為一個更有感情、更加真實的舞者。




5. 你會怎麼形容舞蹈與你的關係?

舞蹈與我的關係,就像是音樂與樂器。我同時是個音樂家(長笛與聲樂)已經有超過20年的時間,而我一直從樂章中找到創造音樂與協調的樂趣,在舞蹈中,我的身體就像是樂器般,試著從聲音的起伏來翻譯著音樂,給予觀眾一個視覺性的畫面去瞭解它。我覺得這也是個機會,讓我可以分享我如何來詮釋音樂,以及透過歌曲闡述我的旅程給觀眾。




6. 教學與表演對你來說有沒有不同的意義?你比較喜歡哪一者?原因是?

教學與表演兩者我都是我的最愛,但如果真要擇一,我會選擇表演。我覺得舞台可能是我的第二個家,那是一個讓我感受到舒服的地方。我喜歡自由的表現方式,且很興奮可以分享這種美麗的藝術形式給有欣賞能力的觀眾。對於教學,我喜愛把它做的很好,我認為肚皮舞的教學不在於只是專注在動作與舞碼,還有關於身體的力學運用、健全紮實的技巧、指鈸的學習,以及對於舞蹈與文化的歷史也是很重要的,即使有時候很難找到這些資料。







關於Sahira

2005年,Sahira發表了她第一張教學DVD「阿拉伯的香料(Arabian Spices)」,並且從那時候起被邀請到許多地方表演:美國各地、墨西哥、印度尼西亞、澳大利亞、德國、加拿大以及台灣。2006年,Sahira是第一個被邀請到世界最大的肚皮舞節活動在埃及開羅所舉辦的「Ahlan We Sahlan」,擔任部落風格的教學。2007年,Sahira發表了兩張教學DVD:「Ali」以及「Bella Donna Ya Helwa」。

在休士頓的時候,Sahira每個星期有六個晚上與Bella Donna一同表演,並休士頓出版社被票選為休士頓最佳的肚皮舞者。她是休士頓第一個部落風格的舞團—Urban Gypsy的創始人與總監,以及Empyrean Fire Tribe的創始成員。除了舞蹈,Sahira也經常與獲獎的世界音樂團體Moodafaruka一同表演長笛與聲樂,和早期的音樂團體Istanpitta一樣。









延伸閱讀:
Sahira的網站: http://www.sahira.cc/


您同時可在Facebook找到I Raqs的粉絲頁:http://www.facebook.com/pages/I-RAQS/136312526382477








Translating music by her movements – An inspired story about Sahira.




您同時也可從此連結閱讀此篇文章的中文版: http://i-raqs.blogspot.com/2010/07/sahira.html




1. How do you start/ begin to dance?

I started dancing about 10 years ago after seeing belly dance here in Houston at a local art bar.  I thought the movements and the costumes were so beautiful and sensual, I just know I had to learn even though I had never studied dance before then.




2. Why do you love dance? What made you love dance so much?

At first the dance was for me a means of escape from the routine.  I was working as an Environmental Engineer when I began studying and dancing was a welcome break from using one side of my brain.  It was also a great workout, and I started toning up and losing weight almost immediately, which of course made me want to dance more and more!  
Now the dance is something that I HAVE to do.  I just can’t live without it.  And not only belly dance – I have studied several other styles, including West African, Persian, Salsa and Modern. And when I’m not teaching or performing, you might just see me on the salsa dance floor, just having fun!  There have been times in the past when I don’t have the opportunity to dance regularly, and I go crazy!





3. On this dancing journey, what is the deepest impression while you learn to dance? When is the happiest moment then? When is the most meaningful or inspired period?

This is a great question... And a tough one!  I have so many wonderful memories from over the years – here are the ones that come to mind first.

The first time I ever performed with a live band as a soloist.  I hadn’t been dancing for very long, and my instructor was called to dance at a local Greek restaurant.  She wasn’t able to perform that night, so she decided to send me!  I was SO NERVOUS!  I had only performed a handful of times before then, and never with a live band.  I didn’t even know what music they were going to play!  I remember calling all of my friends and asking them to come watch the show, hoping to have a wonderful supportive audience.  I can still picture the venue, and the band that played that night.  After taking several deep breaths, I entered the dance floor.  Within moments the music swept me away.  Everyone was cheering and clapping... I was hooked!  I haven’t stopped performing since!

I have incredibly happy moments within my work almost weekly.  There is something magical about getting up in front of a group of strangers, putting on music we all know and love, and dancing for their party, wedding, birthday, etc.  To have the bride, or mom, or grandfather get up out of their chair and dance with me, a big smile on their face... Knowing I have brought a magical moment to their special event.  This is priceless.  And on top of it I get paid to do it!  It’s really sometimes too good to be true.

I’ve had two really inspired eras in the last 10 years.  The first was after seeing Tribal Belly Dance performed for the first time here in Houston.  It was a Fat Chance workshop in 2001, and I had never seen anything like it before!  I knew I wanted to learn how to do that, but when I asked about Tribal classes in the area, I was told that no one taught that style.  Soon after that I was laid off from my engineering job and decided that it would be the perfect time to try dancing full-time!  I put all my belonging in storage, drove my car to Arizona, and studied five nights a week with Domba for the next three months.  My mind and body was reeling with all the wonderful new things I was learning, and I was thrilled to be surrounded by such an amazing group of women.  I came back to Houston a changed dancer and started my Tribal troupe, Urban Gypsy, soon after that.

And right NOW is actually a very inspired period for me.  A little over a year ago I reached a sort of plateau in my dancing and I decided to kick it up to the next level.  I started taking Modern Dance classes (inspired by all the incredible Modern and Contemporary dance I’ve seen on “So You Think You Can Dance”.)  I love the powerful yet graceful and organic nature of modern dance, and am challenged by the rigorous technique and training it entails.  From this a new project has been born, and I am now working on a unique fusion of Modern and Egyptian/Tribal belly dance that has me very excited!  I will be teaching some workshops in this fusion style in Taiwan in August!





4. Tell us which part do dance change you the most?

I have always been a performer.  I started singing and modeling in national competitions when I was three years old – so I have always been very comfortable on stage and a fairly confident woman.  This dance certainly brings to many women an inner confidence and love of their body – I really enjoy seeing this transformation in students in my classes!  But for me, the change has been on the emotional side.  Dancing has gotten me in touch with a part of myself that I was not regularly aware of in my former engineering life.  To truly dance, one must bring their personal emotional journey to the performance, and when I began 10 years ago, this was difficult for me to do.  Over the years, more life experience and a deeper understanding of the music and culture of Middle Eastern dance had made me a more emotive and authentic dancer, I believe.





5. How do you describe your relationship with dance?

My relationship with dance is like an instrument’s relationship with music.  I’ve been a musician (both flute and vocal) for over 20 years, and have always found joy in creating sounds and harmony from the written page.  In dance my body is the instrument that is translating the music from sound waves to a visual picture for the viewer.  I see it as an opportunity for me to share my interpretation of music and to show my journey through the song to my audience.





6. Do Teaching and Performing have different meaning for you? Do you have any preference? Why? 

While I love both teaching and performing, I would have to say that performing is definitely my favorite! I think this may have something to do with the stage being my second home, and a place where I feel so comfortable.  I love the freedom of the performance, and the excitement of sharing this beautiful art form with an appreciative audience.  Teaching is something that I enjoy doing as well, and I feel that quality belly dance instruction that not only focuses on movements and choreography, but also body mechanics, sound technique, zill work and the history of the dance and culture is so important and sometimes hard to find.





About Sahira

In 2005, Sahira released her first instructional DVD, "Arabian Spices" and has since then been invited to teach and perform across the USA as well as Mexico, Indonesia, Australia, Germany, Canada, and Taiwan. In 2006 she had the honor of being the first tribal instructor ever invited to teach at the largest belly dance festival in the world: Ahlan We Sahlan, in Cairo, Egypt. In 2007 Sahira released two more instructional DVDs: "Ali" and "Bella Donna Ya Helwa."

When in Houston, Sahira performs six nights a week with Bella Donna, voted Houston ’s Best Belly Dancers by the Houston Press. She is founder and director of Houston’s premiere Tribal Style troupe, Urban Gypsy as well as a founding member of Empyrean Fire Tribe. In addition to dance, she performs regularly on flute and vocals with the award-winning world fusion music group Moodafaruka, as well as early music ensemble Istanpitta.









Extended Reading:
Sahira’s website: http://www.sahira.cc/


You also can find I Raqs on Facebook: http://www.facebook.com/pages/I-RAQS/136312526382477