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2010年9月30日 星期四

來自阿根廷的優雅 – 採訪Antonella Rodriguez

Q. 當你聽到一首歌時,通常你會將重點放在節奏,還是旋律上?還是其他的地方?
我通常會跟隨旋律,我常選擇偏向憂傷或浪漫的曲子,這樣類型的曲子較能顯現我詮釋音樂的方式。


Q.
對妳而言,怎樣的演出才會讓妳滿意?
感受到完全的自由與解放,並且能與音樂做完美的結合(尤其是當我伴隨Mario Kirlis大師樂團的時候),以及我感受到我透過了這個美妙的舞蹈將我的愛傳達給大眾。


Q.
如果有天妳需要停止跳舞一陣子,妳會想要做什麼?
我很難想像有一天我需要離開舞蹈,但我想如果真得如此,我應該會去嘗試其他種類的藝術,例如戲劇。另外我也喜歡平面設計,雖然說我不太懂,但我會想要學習。


Q.
如同我們知道的,妳之前也有學過芭蕾、現代等舞蹈。妳認為古典舞蹈與肚皮舞之間有什麼不同?
我跳芭蕾沒有非常久的時間,大約三年,在我15歲的時候,以及一些現代舞蹈。但是不可否恁地是,當我學習芭蕾的時候,它的確幫助我改善我的許多姿勢。對我來說,古典舞蹈與肚皮舞都是我所喜愛的,若要說他們最大的差異,我會說肚皮舞會讓我們更能夠享受並表達自我,並且擁有更多的自由。


Q.
妳認為與樂團作現場表演時,對於舞者來說,最重要的是什麼?
與音樂家、樂手們事先的溝通很重要,雙方對於演出時想要呈現的東西要有共識。我們必須要知道他們的曲目,許多樂隊都是演奏他們自己的歌曲,即使是阿拉伯音樂的經典歌曲,每個音樂家呈現的方式也不盡相同,都有他們自己的版本,所以必須要事前確認,否則到時候我們會有很多的「驚喜」!





關於Antonella Rodriguez

Antonella2004年向Aziza Raquel Roman教授開始學習阿拉伯舞蹈,Aziza協助了Antonella持續成長,並分享了這項美好的藝術給她。Antonella找到了自己真正的熱情所在,並決定持續以專業的方式鑽研這門藝術。

她進入了一所阿拉伯舞蹈學校,由鼎鼎有名的芭蕾舞者Saida所創辦的,Antonella開始了件夠了她的事業,並且受到極大的啟發。在2008Antonella受邀到知名舞團Ballet Rakkasah參與演出,同年她在學校獲得了阿拉伯舞蹈教授的頭銜。Antonella目前是Yamil Annum阿拉伯舞蹈學校的教師之一,並且是一位優秀的舞者及編舞家。

Antonella參與了各式不同的活動,甚至到布宜諾斯艾利斯(Buenos Aires)的大劇院演出。並且也隨同Mario Kirlis大師在主題公園“Tierra Santa”進行演出。

2010AntonellaMario Kirlis大師、Matias HazrumAlejandro Curtarelli以及舞者Shanan一同到了韓國、香港、台灣進行亞洲巡迴之旅,包含了大型表演以及大師營等。目前Antonella在她的國家 - 阿根廷內持續參與演出與演討會。





影片參考:
如果讀者沒有看過Antonella的表演,以下這些影片也許可以讓您參考一下,雖然說現場表演還是略勝一籌:
Asia Tour 2010 – Taiwan (Taichung) – Baladi: http://www.youtube.com/watch?v=C4y0KPx6S10
Asia Tour 2010 – Taiwan (Taipei) – Rumba: http://www.youtube.com/watch?v=qQG8rbTK6L4
Ciclo de Música y Danza Árabe de Mario Kirlis 2008 – Baid Anak: http://www.youtube.com/watch?v=93iydekCTAo







Elegance from Argentina – Interview with Antonella Rodriguez

Q. When you hear a song, what do you focus on: the rhythm, the melody, or something else?
I usually dance following to the melody, I often choose very melancholy and romantic songs, and it has to see enough with my way of interpreting the songs.

Q. What needs to happen that makes you satisfied with a performance?
To felt completely liberated, connected with the music (especially if I am accompanied by the Orchestra of the Master Mario Kirlis), and felt that I transmitted to the public my love for this wonderful dance.

Q. If you needed to stop dancing for a while, what would you do instead?
I never imagined leaving without dance, but I think I’ll opt for some other type of art, perhaps theater.
To other side I like graphic design, I don’t know so much about it, I’ll like to learn.


Q. As we known, you studied Ballet and Modern dance too. How do you feel between Classical dance and Bellydance?
I didn’t  danced Ballet for so long, I did for three years, since I was fifteen years old, and less modern dance. But it is true the time that I studied Ballet, helped me a lot to have much better posture, between other things, is a discipline that I love but if I had to distinguish the two dances I will say that in the Bellydance we can enjoy and express ourselves differently, is much more free.

Q. Do you think what is the most important for dancers if they perform with live music?
It is important to have a first contact with the musicians to agree what we want to do in the show. We have to know their repertoire, many orchestras as well plays their own songs, performs classical songs of the Arabic Music, each one plays their own version, and while many may agree, in other cases we can have some surprises.
To dance accompanied by live music, gives a special touch to our performance, it moves to the audience as to the dancers.
The most important thing is to enjoy the moment fully, and be carried away by the music.






About Antonella Rodriguez
Her studies in Arabic Dance begin in the year 2004, with the professor Aziza Raquel Roman, who shared the love for this wonderful art and helped her to continuing growing. She found her real passion and decided to realize it in a professional way.

She began in the School of Arabic Dance, of the recognized and great ballerina Saida, fundamental in her professional career, and of great inspiration. In 2008 Antonella is summoned to form part of the prestigious Ballet Rakkasah. The same year she obtained the Professor's title of Arabic Dance. She is part of the teachers' Staff of the School of Arabic Dance Yamil Annum, great dancer and choreographer.

Antonella has appeared in diverse events, in big theatres of the city of Buenos Aires. It is necessary to emphasize the actions realized in the Cycle of Music and Arabic Dance of the Master Mario Kirlis, and in the Thematic Park “Tierra Santa”.

In the year 2010 she took part of the tour " ASIA TOUR ", crossing Korea, Hong Kong and Taiwan, together with the Master Mario Kirlis, Matias Hazrum, Alejandro Curtarelli and the dancer Shanan, from April to May, giving workshops and shows. Nowadays Antonella offers seminars and shows for the interior of the country.





Videos Reference:
If you didn’t see Antonella’s performance yet, you may wonder to watch these videos and know her more:
Asia Tour 2010 – Taiwan (Taichung) – Baladi: http://www.youtube.com/watch?v=C4y0KPx6S10
Asia Tour 2010 – Taiwan (Taipei) – Rumba: http://www.youtube.com/watch?v=qQG8rbTK6L4
Ciclo de Música y Danza Árabe de Mario Kirlis 2008 – Baid Anak: http://www.youtube.com/watch?v=93iydekCTAo